GWAR
W/ The Native Howl, BRAT
About This Event
All tickets on the floor & mezzanine are general admission, standing room only. Limited seating will be available for mezzanine ticket holders on a first come, first served basis. The mezzanine is 21+ ONLY.
--PLEASE NOTE - The Hall is a cashless venue. Only debit or credit cards are accepted at our bars, box office and guest services window. Please plan accordingly.
PLEASE RIDESHARE - Parking is limited around the venue. We strongly recommend using rideshare apps like Uber or Lyft for transportation to and from the venue. There is a designated rideshare pick up / drop off location near the entrance for your convenience.
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Artist Info
GWAR
The story of GWAR is carved across the history of this hopeless planet, but GWAR themselves are not of this world… Their story begins far past Uranus, in the deepest reaches of space, where the beings known as GWAR were warriors in the Scumdogs of the Universe, an elite fighting force in the army of the Master of All Reality. But GWAR proved too reckless and powerful, and after a series of tragic but hilarious blunders, they were banished to the furthest reaches of the galaxy, with orders to conquer an insignificant backwater prehistoric mud ball known as the planet Earth. Once here, GWAR, the original Ancient Aliens, shaped the face of the globe, wiping out the dinosaurs, and mating with apes to create the human race. Having accidentally given rise to all human history, the Master of All Reality froze them in Antarctic ice where they could do no more harm. It was there they were discovered by a shady entrepreneur known as Sleazy P Martini, who sat the band down in front of professional wrestling, late-night horror movies, heavy metal music, and a steady diet of crack cocaine until GWAR became the cultural force they are today!
The Native Howl
The Native Howl is a genre-defying band hailing from Leonard, Michigan, USA. Their fast tempo music they’ve coined as “Thrash Grass” combines the aggression and intensity of Thrash Metal with the precision and melodicism of bluegrass.
The Native Howl was born from a musical experiment that defied all expectations. Blending elements of folk, bluegrass, rock, and metal, this quartet has crafted a sound entirely their own. With a dash of outlaw spirit and a touch of the wilderness, their music transports listeners to a sonic landscape where traditional meets the contemporary.
The Native Howl was born from a musical experiment that defied all expectations. Blending elements of folk, bluegrass, rock, and metal, this quartet has crafted a sound entirely their own. With a dash of outlaw spirit and a touch of the wilderness, their music transports listeners to a sonic landscape where traditional meets the contemporary.
BRAT
Straight out of the Crescent City, BRAT are set to release their forthcoming debut album, Social Grace, via Prosthetic Records on March 15. Since their 2021 inception, the New Orleans deathgrind / hardcore band’s journey to date has been one of blistering ascension both on the road and in-studio with relentless US touring and two head turning EP’s already under their belt. Enter 2024 and BRAT are ready to give extreme music the pink pill.
Between an intense live schedule over the last three years, which saw BRAT share the stage with the likes of Eyehategod, Cro-Mags and contemporaries in grind such as ACxDC and No/Mas, the band recorded Social Grace over the course of a year and a half at HighTower Recording studio (Thou, A Wilhelm Scream, Eyehategod). Recording songs in batches helped BRAT finetune and focus their songcraft in condensed bursts, resulting in a coalescence of death metal, thrash, and powerviolence brutality.
BRAT’s self-described barbiegrind / bimboviolence aesthetic is one of intentional dichotomy to their sound, with a keen focus to allow space and inclusivity for outsiders that shirks the traditional in favor of jubilant authenticity. Feral and ferocious in content and anti-purist in nature, BRAT’s Social Grace is a cataclysmically heavy party that everyone’s invited to.
Between an intense live schedule over the last three years, which saw BRAT share the stage with the likes of Eyehategod, Cro-Mags and contemporaries in grind such as ACxDC and No/Mas, the band recorded Social Grace over the course of a year and a half at HighTower Recording studio (Thou, A Wilhelm Scream, Eyehategod). Recording songs in batches helped BRAT finetune and focus their songcraft in condensed bursts, resulting in a coalescence of death metal, thrash, and powerviolence brutality.
BRAT’s self-described barbiegrind / bimboviolence aesthetic is one of intentional dichotomy to their sound, with a keen focus to allow space and inclusivity for outsiders that shirks the traditional in favor of jubilant authenticity. Feral and ferocious in content and anti-purist in nature, BRAT’s Social Grace is a cataclysmically heavy party that everyone’s invited to.